First Leaf Music®

First Leaf Music®First Leaf Music®First Leaf Music®
  • Home
  • Orchestra
    • 3 Places in Los Angeles
    • The Lake at Franklin Cyn
    • Laurel Canyon - Overture
    • Mulholland Drive
    • The Redemption of Thunder
    • Her Soul in the Stars
    • Symphony No. 4
  • Chorus & Orch.
    • Shakespeare Symphony
    • Hymn Symphony
    • Dreams Symphony
  • Chorus
  • Voice & Orch.
  • Solo & Orch.
  • Chamber & Solo
    • String Quartet
    • Violin Sonata
  • Voice & Piano
  • Piano
    • Alone With You (2021)
  • Corey Field
  • Recordings
  • Distributors
  • More
    • Home
    • Orchestra
      • 3 Places in Los Angeles
      • The Lake at Franklin Cyn
      • Laurel Canyon - Overture
      • Mulholland Drive
      • The Redemption of Thunder
      • Her Soul in the Stars
      • Symphony No. 4
    • Chorus & Orch.
      • Shakespeare Symphony
      • Hymn Symphony
      • Dreams Symphony
    • Chorus
    • Voice & Orch.
    • Solo & Orch.
    • Chamber & Solo
      • String Quartet
      • Violin Sonata
    • Voice & Piano
    • Piano
      • Alone With You (2021)
    • Corey Field
    • Recordings
    • Distributors

First Leaf Music®

First Leaf Music®First Leaf Music®First Leaf Music®
  • Home
  • Orchestra
    • 3 Places in Los Angeles
    • The Lake at Franklin Cyn
    • Laurel Canyon - Overture
    • Mulholland Drive
    • The Redemption of Thunder
    • Her Soul in the Stars
    • Symphony No. 4
  • Chorus & Orch.
    • Shakespeare Symphony
    • Hymn Symphony
    • Dreams Symphony
  • Chorus
  • Voice & Orch.
  • Solo & Orch.
  • Chamber & Solo
    • String Quartet
    • Violin Sonata
  • Voice & Piano
  • Piano
    • Alone With You (2021)
  • Corey Field
  • Recordings
  • Distributors

Shakespeare Symphony
Soprano, Baritone, Chorus, and Orchestra (2019)


Movements:


I.  Introduction: On the Nature of the Universe.  Text adapted from De Rerum Natura by Lucretius (c. 99 B.C. - c. 55 B.C.)  Chorus.


II.  The Floor of Heaven.  Text adapted from The Winter's Tale; Romeo and Juliet; The Merchant of Venice; The Tempest. Chorus, with Baritone solo in "Caliban's Dream."


III.  When I Start to Write.  Text adapted from poems by Karrlin Field.  Soprano solo.


IV. Full Fathom Five Thy Father Lies (Ariel's Song).  Text from The Tempest.  Chorus.


V.  Wipe Thine Eyes; Come Let's Away.  Text adapted from The Tragedy of King Lear and The Life and Death of King John.  Duet for Lear (Baritone) and Constance (Soprano) with Chorus.


VI.  Sonnet 27.  By William Shakespeare.  Chorus, with Baritone solo.


VII.  O Brave New World.  Text adapted from The Tempest.  Duet for Prospero (Baritone) and Miranda (Soprano) with Chorus.



instrumentation

 2 Flutes

2 Oboes

2 Clarinets in A

2 Bassoons


4 Horns

3 Trumpets

2 Tenor trombones

Bass trombone

Tuba


Timpani


Percussion (2 players):

Glockenspiel, Cymbals, Suspended cymbals, Triangle, Tamtam, Bass Drum


Harp


Soprano (high)

Baritone

Chorus (SATB)


Strings


 Duration ca. 27 minutes


media and sheet music

MEDIA: 

A synthesized/digitized MP3 performance (computer generated by the music engraving software, not live musicians)  is available on Youtube in two versions:

Version with scrolling piano/vocal score:

https://www.youtube.com/watch?v=7-62XweCwYE&t=4s

Version with scrolling full score:

https://www.youtube.com/watch?v=UPQAiR_aN3U

Recommended settings including "Quality HD 1080p" (lower right corner gear icon), and full screen on a large monitor.


Please note in this computer rendered  performance on Youtube, all vocals use the syllable "ah" and do not sing the actual words.  Following along with  the score online (see score options online below) is recommended to see what words are sung in a live performance setting.


VIEW THE PIANO/VOCAL SCORE ONLINE:

The complete piano/vocal score (for rehearsal only) may be viewed online at:

https://issuu.com/firstleafmusic/docs/shakespeare_symphony_piano_vocal_score_-_corey_fie


VIEW THE FULL ORCHESTRAL SCORE ONLINE:

The complete full orchestral conductor's score may be viewed online at:

https://issuu.com/firstleafmusic/docs/shakespeare_symphony_full_score_-_corey_field


PRINTED SCORES FOR PURCHASE:

Printed piano/vocal scores for study and rehearsal are available for purchase:
Vocal score: US $15.00

Full orchestral score (11 x 17) or study size score (8.5 x 14): special order on request

Please email for ordering information:  firstleafmusic@gmail.com


PERFORMING MATERIALS:

Orchestral performing materials are available on rental/hire.
Enquiries:   firstleafmusic@gmail.com


This work may be performed individually or as part of the complete Choral Symphony Trilogy in the following order:    Dreams Symphony | Hymn Symphony  |  Shakespeare Symphony 




THE TEXTS

Shakespeare Symphony


for Soprano, Baritone, Chorus and Orchestra (2019)


Music, text adaptations and compilations Copyright 2019 by Corey Field


I.  Introduction: On the Nature of the Universe 


Chorus

Now let us sing what makes the stars to move

How does the sky the stars renew?

I give to you the sky

The bright clear sky 

And what it holds – the stars

Above, beneath, throughout the universe 

Space infinite and free 

This one earth and sky of ours

The shores of earth

The shores of stars

The sky of ours

Ocean sun and moon

Rising out of heaven

All for you

To you I give the stars

I give the sky to you

I give the earth

And now let us sing what makes the stars to move

How does the sky the stars renew?


Adapted from De Rerum Natura (On the Nature of the Universe) by Titus Lucretius Carus (c. 99 B.C. – c. 55 B.C.), Translation by William Ellery Leonard (1916)


II.  The Floor of Heaven


Chorus

When you do dance I wish you

A wave o’ the sea

And yet I wish but for the thing I have

My bounty is as boundless as the sea,

My love as deep: the more I give to thee

The more I have

How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
In our ears: soft stillness 

Become sweet harmony. 

Look how the floor of heaven 

Is inlaid with patines of bright gold:
There's not the smallest orb which thou behold’st
But like an angel sings


Baritone (Caliban’s Dream)

Be not afeard; the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling sounds  
Will hum in mine ears, sometime voices
That, if I had waked after long sleep,
Will make me sleep again: in dreaming,
The clouds methought would open and show riches
Ready to drop upon me that, when I waked,
I cried to dream again.


Chorus

Such harmony is in immortal souls 

Full many a glorious morning have I seen

But like an angel sings


Adapted from Shakespeare:  The Winter’s Tale, Act 4 Scene 4;  Romeo and Juliet, Act 2 Scene 2; 

The Merchant of Venice, Act 5 Scene 1;  The Tempest, Act 3 Scene 2; Sonnet 33


III.  When I Start to Write


Soprano

I was born

In a storm

This is how I am alive

When I start to write

I think of you

I breathe for you

I live for you

If you feel

As I did and will

I cry for you

I breathe for you

When I start to write

I think of you

I dream of you


Adapted from poetry by Karrlin Field


IV.  Full Fathom Five Thy Father Lies

(Ariel’s Song)


Chorus

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell
Hark! Now I hear them – Ding-dong, bell.


Shakespeare, The Tempest, Act 1 Scene 2 (Ariel’s Song) 


V.  Wipe Thine Eyes; Come Let’s Away


Chorus

Wipe thine eyes;

Come, let's away

When thou dost ask me blessing, I'll kneel down,

And ask of thee forgiveness: so we'll live,

And pray, and sing, and tell old tales, and laugh


Lear (Baritone)

Thou no breath at all? Thou'lt come no more,

Never, never, never, never!

I kill’d the slave

That was a-hanging thee.

Did I not?


Constance (Soprano)

Grief fills the room up of my absent child,

O, that my tongue were in the thunder's mouth!
Then with a passion would I shake the world;

I am not mad: I would to heaven I were!

If I were mad, I’d forget my child


Lear

O, you are men of stones:

Had I your tongues and eyes,

I’d use them so 

That Heaven’s vault should crack.
 

Lear, Constance, Chorus

Wipe thine eyes;

Come, let's away

When thou dost ask me blessing, I'll kneel down,

And ask of thee forgiveness: so we'll live,

And pray, and sing



Adapted from Shakespeare:

The Tragedy of King Lear, Act 5 Scene 3 (Chorus and Lear); 

The Life and Death of King John, Act 3 Scene 4 (Constance)


VI.  Sonnet 27


Chorus, Baritone

Weary with toil, I haste me to my bed,
The dear repose for limbs with travel tired;
But then begins a journey in my head,
To work my mind, when body's work's expired:
For then my thoughts (from far where I abide)
Intend a zealous pilgrimage to thee,
And keep my drooping eyelids open wide,
Looking on darkness which the blind do see:
Save that my soul's imaginary sight
Presents thy shadow to my sightless view,
Which, like a jewel hung in ghastly night,
Makes black night beauteous and her old face new.

  Lo, thus, by day my limbs, by night my mind,
  For thee, and for myself, no quiet find.


William Shakespeare


VII.  O Brave New World


Chorus, Soprano, Baritone


Miranda (Soprano with Chorus)

O brave new world

My dearest father

O! I have suffered

With those that I saw suffer

Against my heart

I would have sunk the sea

Within the earth

O woe the day!

What was I to you.

Tell me what I am

Do you love me?

Tell me what I am

How came we ashore?

My very heart


Prospero (Baritone with Chorus)

‘Tis time

Lend thy hand

The hour’s now come

Thou shalt be free

Graves at my command

Have wak’d 

By my so potent art

Deeper than plummet sound

Dost thou hear?

Awake, dear heart, awake;

Gentle breath of yours

By your spell

Release me 

Set me free


Soprano, Baritone, and Chorus:

O brave new world

Set me free


Adapted from Shakespeare, The Tempest, Act 1 Scene 2; Act 3 Scene 2; Act 5 Scene 1; Epilogue

Copyright © 2024 First Leaf Music LLC - All Rights Reserved.


Powered by

Cookie Policy

This website uses cookies. By continuing to use this site, you accept our use of cookies.

Accept & Close